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Jay Weidner
Called by Wired Magazine an “authority on the hermetic and alchemical traditions,” and “erudite conspiracy hunter, ” Jay Weidner is a renowned author, filmmaker and hermetic scholar. Considered to be a ‘modern-day Indiana Jones’ for his ongoing worldwide quests to find clues to mankind’s spiritual destiny via ancient societies and artifacts, his body of work offers great insight into the circumstances that have led to the current global crisis. He is the director of the powerful and insightful documentaries, Kubrick's Odyssey, Infinity; The Ultimate Trip, and the forthcoming feature film, Shasta. He is also the producer of the popular documentary films, 2012 The Odyssey and its sequel, Timewave 2013.
Jay was featured in the History Channel’s documentary, The Lost Book of Nostradamus and was associate producer and featured in the History Channel’s special, Nostradamus 2012, and also in Brad Meltzers, Decoded. He also participated in Jesse Ventura's, Conspiracy Theory for TruTV.
In addition, he is the co-author of The Mysteries of the Great Cross of Hendaye; Alchemy and the End of Time, (Destiny Books) and A Monument to the End of Time (with Vincent Bridges), as well as a contributing writer for the book, The Mystery of 2012 (Sounds True).
Articles by Jay Weidner:
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Childhood's End
The passage from childhood to adulthood happens when the child begins to realize that life is hard, death is certain and the chances are pretty good that he or she is going to be struggling for the rest of their life. These harsh realities wash away the idealism, naiveté and illusions of youth. Also this maturation process causes the youth to have a new understanding of what responsibility and stewardship means as well as the desire to make an impact on reality and leave the world a better place. This process occurs as a result of both experience and information. As a youth gathers more information through the experience of life he or she reaches certain inevitable conclusions. . . . keep reading
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The Golden Age Has Begun
Imagine a world where people live to be 400 years old, where you complete your education in your 80's and you don't have children until you are over a hundred years old? Imagine a world where you do not need to eat very much or work at all? Imagine a world with endless amounts of time and resources where people live in peace and harmony? . . . keep reading
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Disclosure: Aryans, Mars and the End of Days
The whole entire Stanley Kubrick odyssey - not just "2001," but the entire work of Stanley Kubrick - has to be understood by stepping back. Step back as far away as you can and take a wide look at it. Stanley is obsessed with time. His third film, "The Killing " is intercut between many different times. This is 1956, way before "Momento" or any of these modern films. When he moves forward to "Dr. Strangelove," again he is inter-cutting, not between different times, but in the same time. Time is different, even though it's at the same time. When you're on the bomber, time is moving fast, but when you're at the President's conference in the War Room, time is moving very slow. When you're trying to get the code from General Jack Ripper, time is moving slower than erosion. Jack isn't going to tell you the recall code. . . . keep reading
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Secrets of the Shining: Or How Faking the Moon Landings Nearly Cost Stanley Kubrick his Marriage and his Life.
The Shining is surely Stanley Kubrick's most misunderstood masterpiece. I use the word 'masterpiece' guardedly because I have never really thought that The Shining was a very good film. At the time, in 1980 when I first saw it, I didn't like it at all. The way that Kubrick threw out so much of Stephen King's great source material and replaced it with a lot of things that just didn't seem to make any sense, really bothered me. Hopefully, before I am finished with this essay, the reader will see it is only when Kubrick dramatically alters the script from Stephen King's novel that we can begin to understand what Stanley Kubrick is trying to tell us in his version of The Shining. . . . keep reading
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Weidner in Wired!
Jay Weidner
The strangest monument in America looms over a barren knoll in northeastern Georgia. Five massive slabs of polished granite rise out of the earth in a star pattern. The rocks are each 16 feet tall, with four of them weighing more than 20 tons apiece. Together they support a 25,000-pound capstone. Approaching the edifice, it's hard not to think immediately of England's Stonehenge or possibly the ominous monolith from 2001: A Space Odyssey. . . . keep reading
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Radical Truth
