Sacred Mysteries started the 2012 movement with the films 2012: The Odyssey and Timewave 2013
Home | Contact Us | E-mail List | Tell a Friend | Text Size | Search | Member Area
 DVDs
 Infinity
 Sophia Returning
 Alchemy of Qi Gong
 2012 The Odyssey
 Timewave 2013
 Alchemical Dream
 Quantum Astrology
 ARTmind
 The Luminous Body
 Healing Sounds
 Yoga of Light
 Secrets of Alchemy
 Sound Yoga
 Alchemical Healing
 Star Dreams
 Books
 Path of the Priestess
 Great Cross Hendaye
 Artists/Teachers
 Jose Arguelles
 Gregg Braden
 Dannion Brinkley
 Riane Eisler
 Jonathan Goldman
 Alex Grey
 Stanislav Grof
 William Henry
 Richard Hoagland
 John Holland
 Jean Houston
 Linda Moulton Howe
 John Major Jenkins
 John Lamb Lash
 Robert Lawlor
 Rick Levine
 A.T. Mann
 Brooke Medicine Eagle
 Christine Page
 Cliff High
 Dennis McKenna
 James H Kunstler
 John Jay Harper
 Maria Yraceburu
 Peter Levenda
 Phil Imbrogno
 Renate Dollinger
 Terence McKenna
 Robert Nichol
 Daniel Pinchbeck
 Ponlop Rinpoche
 Sharron Rose
 Nicki Scully
 Shanti Shivani
 Pedram Shojai
 Geoff Stray
 Whitley Strieber
 Robert Thurman
 Moira Timms
 Alberto Villoldo
 Neale Donald Walsch
 Jay Weidner
 Brian Weiss
 Sacred Mysteries
 Contact Us
 Distributors
 E-mail List
 Free Stuff
 Links
 Sacred Mysteries Live
 Sharron Rose (public)
 Interviews
 Articles
 Lectures
 DVDs and Books
 Press
 Jay Weidner (Public)
 Articles
 Interviews
 Lectures
 DVDs and Books
Sacred Mysteries | Sharron Rose | Review of Yoga of Light from Mount S . . .
 

Review of "Yoga of Light" from Mount Shasta Magazine

Printer-Friendly Format

Title: Yoga of Light: Meditations, Mudras and Expressions of the Divine Feminine
Artist: Sharron Rose
UPC: 8-09573-96049-6

Teacher, performer and author Sharron Rose decorated the set for all four Sacred Mysteries Presentations reviewed here, using the same basic, rich red and yellow curtain, carpets and cushions, arrayed with objects evocative of each presentation's unique themes.

Rose herself is the presenter of Yoga of Light, a series of visualizations to activate and empower the Divine Feminine within us all. Her voiceover guides the viewer through a performance of movements while the camera records her demonstrating these with silent vivacity. Her narration is lavish poetic imagery, and her portrayal is an enticing dance of torso, hands, head and eyes (even as she remains seated in a wakeful, grounded posture reminiscent of Goddess Statuary from many cultures).

Visualizations have their limitation, and these are no exception. Their efficacy depends greatly on the participant's capacity and willingness to surrender body and mind into the experience. That said, some of the imagery and movements can be disarmingly effective.

Just watching Rose's performance — a priestess embodying the Goddess — is compelling and alone lights a fire within the viewer. However , in this way, the program divides the attention. The viewer is well advised to take in that performance by itself once before participating; for to fully own, embody and express as she directs often requires disregarding the visuals on the screen and harvesting that which is within.

When one can't connect personally to that which she describes, however, her example is effective and inspiring, and invokes the way women have learned these arts originally, through observation and participation with seasoned practitioners, in which the juicy light of the Feminine was freely flowing.




Printer-Friendly Format